Latest from us

In the Face – Sub FM Show July 22nd

Uploaded a little later than intended because of Boomtown, this mix features the full In The Face contingent on Sub FM, with a special guest mix from Hud bassline legend Mr C as well as regulars Gash, Deadbeat & Hadean spinning the latest garage, grime, jackin & bassline
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In The Face – Fri Aug 15th

Brighton’s best bassline bonanza returns with a takeover from one of UK dance music’s most up & coming labels, Tumble Audio. Joining them is Brighton newcomer PVC, the In The Face Crew and in Room 2 we have the ladies that love their music hard & fast: Amenstrual, as well as the Irish Faction that is Act Normal

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Releases blog

Flava D – In the Dance EP

A nice slice of garage tinged bassline from Butterz main gyal Flava D, the title track sets things off with a bang with its infectious and ever changing bassline and an appropriate vocal proclaiming ‘war is in the dance’. Second track Groggy also follows suit with a hyped up sleazy basslines over some suitably swung 4×4 beats. Out now on Champions label Formula Records.
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Phatworld – Time Don EP

Off Me Nut Records first vinyl arrives, and seriously puts everyone else to shame: the production on this release is next level, with every track being a straight up Sheff banger. The Time Don EP features some great local vocal talent from the likes of Devilman on the hilarious bouncy anthem Milk & Bread, or the ode to the Steel City that is Do It Like Sheff. This release is available here on limited edition vinyl, so if you want a copy pick one up sharpish!
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AC Slater – Back To The Floor

AC Slater has always been infuenced by UK sounds, and this new EP is no exception, clearly taking inspiration from the jackin and bassline house movement gaining momentum here. As usual this is his own take on the genre, incredibly well produced dancefloor fare, and he takes it and combines it with his Trouble & Bass style making it an essential (and free) download for your collection.
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Long Clothing & We Buy Gold Present: Trancework

What do you get when you cross a clothing company, a roster of the worlds top juke producers and a love of 90s trance classics? The Trancework Compilation of course! Long Clothing & We Buy Gold have taken artists like Chrissy Murderbot, Slick Shoota and In The Face’s own Gash & Simtek and gotten them to remix trance classics: sounds like one of the oddest ideas around but it really works. The remixes range from the more trap influenced end of the genre to almost all out jungle, with each one bringing something different and new to these tracks. Out now for free from the Long Clothing website.
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Spoils & Monkey Wrench – Enemies In The Dance

Brighton based Spoils team up with Bristol lads Monkey Wrench for this immense EP, out now on True Tiger offshoot Stripes Records and from the off we knew this was a goodun. Opener & title track Enemies In The Dance blends many different styles, though all dancefloor centric, with its infectiously demanding vocal giving way to a gut wrenching bassline. Grillz is the other big track on this release for us, the bassline slowly descending over a tightly cut hip-hop vocal sample. A great debut, I’m sure we’ll be hearing a lot from these guys over the next year.
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Mixes blog

The Muskets – Winter Bass Mixtape

Like a hearty broth The Muskets Winter Bass Mixtape will fill you up… with bass! Blending house, jackin and bassline and featuring tunes that are getting some well deserved mainstream attention like Breach’s Jack, as well as some of their own tunes, this mix showcases how bassline is influencing other genres well and is banging to boot!
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DJ Detweiler – Concepto Mix

The ultimate mashup mix by flutedrop pioneer DJ Detweiler includes some of the most hilarious tunes we’ve ever heard including the amazing Mr Bean Goose; Shitmat’s take on a relaxation tape (the aptly titled Chill Out) and of course the host with the mosts own remix of Gerry Rafferty’s 70’s classic Baker Street. This man has been making waves with heavy support from Hudson Mohawke and DJ Zinc among others and listening to this it’s easy to see why.
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